After leaving Theatre MSU’s “Dracula,” an unshakable sense of dread followed. The morbid approach, combined with an eerie atmosphere and grotesque story elements, evoked a feeling of primal fear. Cody Stockstill, the assistant professor and coordinator of Theatre MSU, directed this production with incredible elegance and tact.
Running on the McComas main-stage until the last performance on Nov. 16, everyone should be implored to witness this gruesome spectacle. Adapted in the mid 1990’s by American playwright Steven Dietz, this play portrays the tale of Bram Stoker’s original novel “Dracula.”
Keep in mind there is a 16+ Audience Guidance rating. Those who become squeamish may feel uncomfortable at certain scenes, but those scenes do not fill the entire presentation. This play contains tons of blood, some sexual content and occasional violence, but it is nothing a mature audience cannot handle.
The themes presented are far more shocking than any instances of genuine terror, but don’t let that comfort you. This show is horrifying in many segments, eliciting shock and awe from the audience at increasing rates.
Following some plot beats of the novel, this production chronicles Count Dracula’s journey to England. The costume design is more modern, yet matches the needed aesthetic with grace and genuine charm. The lighting, set design, and special effects surpass any of my expectations set by the college environment. 
There is an immediate sense of expertise implying everyone’s dedication involved. Their efforts truly show, as this performance was captivating throughout its lengthy run-time.
It would be unfair to single out specific actors, as everyone provides exceptional performances. When most think of the story for Dracula, most only think of Professor Abraham Van Helsing and the dreaded Count Dracula. While important to the story, their presences are not the full focus of the story. The real emphasis is placed on other characters, all struggling to understand what is occurring as a result from the creatures of the night.
Impressive is the best adjective to describe these performances, as they are never limited to anything that isn’t a full range of emotion. This certainly was not an easy performance for the actors. Difficult accents, endless motion and swaths of lengthy dialogue encapsulate roughly every character.
The fast-paced progression barreled shockingly into a brief intermission, and then exploded into a crescendo of final scenes. Everyone present has time to shine, including minor roles with brief appearances. Like all plays, some characters hold more time than others, but the pacing was solid and held little to complain about.
This play appeals to anyone who enjoys epic tales of good versus evil. Fans of horror and suspense will have a better time, but this should not dissuade the curious. Segments of action, comedy and romance are sprinkled throughout to keep the audience comfortable, but those attending will still feel fear like they’ve never known.
Disturbed scenes invoke an unsettling response difficult to shake, even after the performance is concluded. As a love letter to the genre, Dracula provides an experience few should ever have the misfortune to miss.